I'm a little suprised that no one know what this song is about.

Jenny Jenkins is an old Arkansas term for home grown Marijuanna.

The old timers when smoking "Jenny Jenkins" took smoking her very seriously. It was almost a crime to smoke her anyother way than through a pipe.
Hence she wouldn't wear White (Zig Zags or rolling paper).
She wouldn't wear green referring to the 2-6 week drying process for good weed.
The blue refers to the fan leaves that need to be trimmed during the drying process. Some "Dirty Jenny" contained a mixture of the buds and the first fan leaf trimmings. Old timers refused it.
The yellow was a reference to lacing Jenny with Meth. A bad mixture, Jenny knew that it was impossible to get a "Fellow" because meth generally causes erectile disfunction.
The Brown refers to old-over age weed. Jenny knew no-one wants old bad weed. It never gets around.
Beige also refers to an aging weed. though Beige weed is smokable it is on the verge of going bad.
The orange that Jenny wouldn't wear refers to the practice of lacing Jenny with PCP. The effects of lacing Jenny with PCP were rarely negative, the old timers just didn't mess with it because well they didn't know why.

The chorus is pretty self explanatory, The young kids caught on to rolling joints and kept tempting the old timers to try it.

I hope that helps.

That should be worth a pack of candy cigs.

Yeah I just pulled that one out of my ass.

Probably really about a girl that just isn't happy with her clothes.

I can't get past the fact that Lisa Loeb has eyebrows like an evil villain.

Jenny Jenkins is a circus bear who is having trouble deciding what to wear for her performance. She gets a lot of suggestions from the other bears. In the end she surprises them by saying, "Oh what do you care, if I just go bare?" and then sings the refrain for the last time. Whimsical art matches the repetitive, rhyming lyric. The cassette featuring Jerry Garcia and David Grisman singing and playing the guitar make for a great sing along. The repetitive words, large font and picture-to-word match make this an appropriate book for beginning readers as well as a read along or sing along for younger children. What Will You Wear, Jenny Jenkins? is another book in a series of songs from the Not for Kids Only album by Garcia and Grisman put to book and tape format by illustrator Bruce Whatley.

Mum, will you please stop this?

Lisa Loeb is definitely not any eviler than most. However, her eyebrows do give an impression of sneakiness. Now this is really a matter of too much tweezing. Eyebrow fashion goes in cycles, basically, since there's only so much you can do with an eyebrow. However, how the hot-de-jure celebs are wearing theirs can influence trends considerably. Brooke Shields popularized the bushy look; Madonna gave it some staying power. Jean Harlowe and Marlene Dietrich modeled the super thin, barely-there brow in the glammy 30's, but it's had its comeback of late. Of course, your middle-of-the-roaders (sensible types), just pluck the wild hairs which won't fall into line or the ones deemed extraneous and keep a general, "natural," and believeable brow. Sometimes a woman plucks her brows into oblivion and has to pencil them in. Talk about bizarre; they typically aren't skilled enough to do a good job of drawing them. But even if one drew them, they would always look fake, being flat and one-dimensional. A woman's mood of the moment or interlude is reflected is what she does to her eyebrows. Generally, too-thin brows signify a desire to appear alluring and sexy. Sometimes the effect is, as you described, "evil" -looking rather than appealing, however. Sometimes women go so overboard with nonsymmetrical tweezing that they completely alter their natural expression to the point that it just looks plain "off," though you can't tell how, if you didn't know what it was like before they tweezed. Michelle Obama's eyebrows need fixing. She overtweezed one more than the other and the effect is just unbalanced. She had a unique set to begin with (as evidenced by earlier photographs), but she should have stuck with them, as they were, in my opinion, her best look. Personally, I believe in total honesty when it comes to the eyebrow. The natural, untweezed eyebrows are a masterpiece of subtle expression. Moreover, the expression one is born with is, in essence, one's genuine signature. You can tell so much about a person's character by their natural eyebrows. But, I'm a portrait artist. Maybe what I can see might escape the more casual observer. Unfortunately, most modern women (unless they belong to religious groups which do not adorn or alter their faces) do pluck their brows, and thus it is impossible to see their "true" expression. I hope this doesn't catch on with men, so at least 50% of the sexes will wear honest expressions. I knew a guy with wild brows who occasionally trimmed the tops. Fortunately I saw him before his occasional trimming, so I knew what his brows were really like. When he cut them, he was basically toning down the passion his wild brows expressed. They seemed tame, even docile; certainly safe and socially-acceptable. His natural brows were extremely long, with fierce, thick hairs suddenly jutting out in opposite directions, and were, in fact, a great clue to his personality. He was a brilliant, eccentric, and erratically moody man, but his nice-guy brows gave one no clue as to what one was dealing with. Lisa Loeb's childhood pictures will reveal what her real brows are like. They're probably fine just as they are; definitely she would look much better with a more natural brow.